Accessible luxury brands were also the most innovative
If you want to look a bit “luxury”, just sport a Lacoste polo and some Diesel jeans. The two brands – which are admittedly premium compared to others of their kind – dominated the luxury rankings: Lacoste with its innovative “Save Our Species” project and classic “Timeless” film, both via BETC; Diesel with its “Go With the Flaw” campaign. Creatively speaking, Diesel’s partnership with Publicis Italy has taken the brand back to its 1990s peaks. Elsewhere, luggage brand Rimowa (with Philipp und Keuntje) struck a chord by allowing travellers to check in their luggage via smartphone. Talking of chords, the Philharmonic Turntable Orchestra from Dentsu and Panasonic is a kind of sublime cacophony. Almost as poetic as the Shiseido ‘Party Bus’. The Volvo safety ad, ‘Moments’ brings the category nicely down to earth.
If you want to look a bit “luxury”, just sport a Lacoste polo and some Diesel jeans. The two brands – which are admittedly premium compared to others of their kind – dominated the luxury rankings: Lacoste with its innovative “Save Our Species” project and classic “Timeless” film, both via BETC; Diesel with its “Go With the Flaw” campaign. Creatively speaking, Diesel’s partnership with Publicis Italy has taken the brand back to its 1990s peaks. Elsewhere, luggage brand Rimowa (with Philipp und Keuntje) struck a chord by allowing travellers to check in their luggage via smartphone. Talking of chords, the Philharmonic Turntable Orchestra from Dentsu and Panasonic is a kind of sublime cacophony. Almost as poetic as the Shiseido ‘Party Bus’. The Volvo safety ad, ‘Moments’ brings the category nicely down to earth.
Most awarded
campaigns, brands &
agencies in
Luxury in
2018
Most awarded
campaigns, brands and
agencies in
Luxury in
2018
CAMPAIGNS
BRANDS
Brand |
---|
AGENCIES
Name | ||
---|---|---|
1 | BETC Paris, Pantin | |
2 | Publicis Italy, Milan | |
3 | BBH, London | |
4 | thjnk Hamburg | |
5 | Dentsu Inc., Tokyo |
Watch
1. Lacoste / Save Our Species
Заголовок | Save Our Species |
Заголовок (оригинальный язык) | Save Our Species (anglais) |
Агентство | BETC Paris |
Кампания | Save Our Species |
Рекламодатель | Lacoste |
Бренд | Lacoste |
Дата первой трансляции/Публикации | 2018 / 2 |
Бизнес сектор | Одежда |
Тип медиа | Веб-фильм |
Длина | |
Менеджер по рекламе | Sandrine Conseiller |
Менеджер по рекламе | Felipe Oliveira Baptista |
Менеджер по рекламе | Mylène Atlan |
Менеджер по рекламе | Stéphanie Tournier |
Специалист по работе с заказчиками | Bertille Toledano |
Специалист по работе с заказчиками | Fanny Buisseret |
Специалист по работе с заказчиками | Benjamin Veaute |
Исполнительный креативный директор | Rémi Babinet |
Креативный директор | Antoine Choque |
Копирайтер | Céline Mazza |
Копирайтер | Olivier Aumard |
Арт-директор | Jonathan Baudet-Botella |
Ассистент арт-директора | Benoît Ferran |
Стратегический планировщик | Céline Mazza |
Продюсер агентства | Karine Manzic |
Продакшн Студия | AllSo |
Продюсер Продакшн Студии | Franck Annese |
Музыка | DEMON |
2. Diesel / Go With The Flaw
Заголовок | Go With The Flaw |
Агентство | Publicis Italy |
Кампания | Go With The Flaw |
Рекламодатель | Diesel |
Бренд | Diesel |
Дата первой трансляции/Публикации | 2017 / 9 |
Бизнес сектор | Одежда, мода и обувь |
Тип медиа | Веб-фильм |
Длина | |
Звуковой дизайн компании | Grand Central Recording Studios |
Класс | MPC LDN |
Исполнительный креативный директор | Cristiana Boccassini |
Арт-директор | Simone Di Laus |
Арт-директор | Cecilia Moro |
Копирайтер | Fabio Caputi |
Костюмы / Стилист | Davey Sutton |
Творческий руководитель | Costanza Rossi |
Креативный директор цифрового формата | Milos Obradovic |
Креативный директор цифрового формата | Mihnea Gheorghiu |
Global Chief Creative Officer | Bruno Bertelli |
Associate Copywriter | Beatrice Mari |
Главный исполнительный директор (CEO) | Bruno Bertelli |
Начальник планирования | Bela Zieman |
Планировщик счета | Noa Dekel |
Продакшн Студия | Division Paris |
Директор | François Rousselet |
Оператор-постановщик | Simon Chaudoir |
Специалист по работе с заказчиками | Giada Salerno |
Специалист по работе с заказчиками | Maria Elena Gaglianese |
Продюсер агентства | Cecilia Barberis |
Продюсер агентства | Matilde Bonanni |
Закупщик художественного оформления | Barbara Centazzo |
Редактор | Nicolas Larrouquere |
Продюсер | Jules de Chateleux |
Послепроизводственный этап | Studio Invisible |
Колорист | Richard Fearon |
3. Lacoste / Timeless
Заголовок | Timeless |
Агентство | BETC Paris |
Кампания | Life is a beautiful sport since 1933 |
Рекламодатель | Lacoste |
Бренд | Lacoste |
Дата первой трансляции/Публикации | 2017 / 5 |
Бизнес сектор | Спортивная одежда |
История | We’re in the 1930s, and on a railway station a young man bumps into a woman he’d like to see again. After a moment’s hesitation he leaps aboard the train: and so begins a thrilling pursuit through the carriages – and through the decades. As he moves through time, the man’s Lacoste outfit changes to reflect the era. He runs, jumps and scrambles after the young woman, who soon realises what’s happening. Finally they come together in a kiss. Love, like Lacoste, is timeless. A young man bumps into a woman on a railway station platform as she boards a stream train. Realising he's smitten, he jumps on the train and begins searching for her. As he moves through the carriages he also travels through time, and we see the decades unspool - 50s, 60s, 70s - until the couple finally meet in the present day. Of course, he's been wearing Lacoste all along, because it's timeless. |
Тип медиа | Телевидение и кино |
Длина | |
Звуковая дорожка | November |
Редакционная компания | Whitehouse Post |
Медиа директор | Julien Leveque |
Музыкальный креативный директор | Christophe Caurret |
Менеджер по рекламе | Sandrine Conseiller |
Менеджер по рекламе | Amandine Morel |
Менеджер по рекламе | Mylène Atlan |
Менеджер по рекламе | Sophie Dussillol |
Специалист по работе с заказчиками | Bertille Toledano |
Специалист по работе с заказчиками | Marina Zuber |
Специалист по работе с заказчиками | Fanny Buisseret |
Специалист по работе с заказчиками | Jeanne Chalumeau |
Исполнительный креативный директор | Rémi Babinet |
Креативный директор | Antoine Choque |
Арт-директор | Aurélie Scalabre |
Копирайтер | Olivier Aumard |
Начальник службы регулирования движения | Kémi Zinsou |
Стратегический планировщик | Fabien le-Roux |
Продюсер агентства | Fabrice Brovelli |
Продакшн Студия | Wanda Paris |
Продакшн Студия | Academy Films |
Производство аудиофонограмм | GUM – Green United Music |
Директор | Seb Edwards |
Музыка | Max Richter November |
Медиа-агентство | Havas Media |
Послепроизводственный этап | Mikros Image |
4. Diesel / Keep The World Flawed
Заголовок | Keep The World Flawed |
Brief | A young man with big ears undergoes surgery to become model handsome. One day at the launderette, he meets his perfect Diesel-clad girl. Soon she's pregnant. But when she gives birth, the young man frowns. A flashback reveals the same girl - with a big nose. She too has had her flaw fixed. When we finally see the child, we recognise dad's big ears. Oh well, perfection is boring. Go with the flaw. |
Агентство | Publicis Italy |
Кампания | Keep The World Flawed |
Рекламодатель | Diesel |
Бренд | Diesel |
Дата первой трансляции/Публикации | 2018 / 1 |
Бизнес сектор | Одежда |
История | This is the story of a boy and a girl who meet and fall in love right after they both choose to remedy their very obvious, society-defined, flaws. In a short-movie directed, once again, by Francois Rousselet to the timeless soundtrack “What’s a Matter Baby” from Small Faces, we discover that, eventually, our so-called flaws will always be stronger than any of our attempts to hide them. So why not embrace, celebrate them and keep the world as it’s meant to be: beautifully flawed? |
Тип медиа | Телевидение |
Длина | |
Звуковая дорожка | What’s a Matter, baby? |
Музыка | Grand Central Recording Studios |
Global Chief Creative Officer | Bruno Bertelli |
Главный исполнительный директор (CEO) | Bruno Bertelli |
Исполнительный креативный директор | Cristiana Boccassini |
Креативный директор цифрового формата | Milos Obradovic |
Креативный директор цифрового формата | Mihnea Gheorghiu |
Ассоциированный креативный директор | Eddy Guimaraes |
Ассоциированный креативный директор | Vinicius Dalvi |
Творческий руководитель | Simone Di Laus |
Арт-директор | Alice Teruzzi |
Копирайтер | Francesca Ferracini |
Начальник планирования | Bela Ziemann |
Планировщик счета | Noa Dekel |
Планировщик счета | Monica Radulescu |
Специалист по работе с заказчиками | Barbara Pusca |
Специалист по работе с заказчиками | Filippo D’Andrea |
Специалист по работе с заказчиками | Camilla Poli |
Специалист по работе с заказчиками | Maria Elena Gaglianese |
Продюсер агентства | Silvia Cattaneo |
Закупщик художественного оформления | Caterina Collesano |
Продакшн Студия | Division Paris |
Директор | François Rousselet |
Оператор-постановщик | Simon Chaudoir |
Редактор | Adriana Legay |
5. Panasonic SL−1200 / The Philharmonic Turntable Orchestra
Заголовок | The Philharmonic Turntable Orchestra |
Агентство | Dentsu Inc. |
Кампания | The Philharmonic Turntable Orchestra |
Рекламодатель | Panasonic |
Бренд | Panasonic SL−1200 |
Дата первой трансляции/Публикации | 2018 / 4 |
Бизнес сектор | ТВ, Hi-Fi, видео, персональные стерео и аксессуары |
История | Commemorating the first LP record in history, this orchestra used only the analogue SL-1200 record player as an “instrument.” The orchestra united 30 highly skilled DJs from around the world, including scratch legend Q-bert and DJ Rena, the world's youngest scratch champion at age 13. Together they remixed several classical tunes, starting with the first song ever sold as an LP: Mendelssohn’s Concerto in E Minor. The result was a completely different kind of music. |
Тип медиа | Веб-фильм |
Длина | |
Исполнительный креативный директор | Yu Kaneno |
Креативный директор | Goro Ohsawa |
Креативный директор | Kentaro Suda |
Копирайтер | Ryuta Kimura |
Планировщик счета | Ryuta Kimura |
Копирайтер | Takumi Ichikawa |
Арт-директор | Satoshi Kohno |
Специалист по работе с заказчиками | Takeshi Saito |
Музыкальный продюсер | Keisuke "Tommy" Tominaga |
6. Volvo XC60 / Moments (180s)
Заголовок | Moments (180s) |
Агентство | Forsman & Bodenfors Göteborg |
Кампания | Sometimes The Moments That Never Happen, Matter The Most. |
Рекламодатель | Volvo |
Бренд | Volvo XC60 |
Дата первой трансляции/Публикации | 2017 / 6 |
Бизнес сектор | Легковые автомобили |
История | A little girl is on her way to the first day at her new school. In flashback, we see her talking to her mother about her dreams and hopes for the future. Throughout the story we also follow a woman driving a Volvo XC60 on her way to work. Everything is leading up to a critical moment. An accident is about to happen, but Volvo’s City Safety system kicks in and brakes the car automatically. Of all the moments in the little girl's life, this might be the most important one. Sometimes the moments that never happen, matter the most. |
философия | In the launch campaign for the New Volvo XC60 – one of the safest cars ever made – we celebrate everything that can happen in life, when accidents don’t. We get to follow a young girl on her way to the first day of a new school, while simultaneously hearing her talk to her mom about her dreams and hopes for the future. Throughout the story we also follow a woman driving an XC60 on her way to work. Everything is leading up to a critical moment towards the end of the film. An accident is about to happen, but Volvo’s City Safety system recognizes the little girl and brakes the car automatically. And out of all the moments the young girl talks about in the film, this might just be the most important one. Because sometimes the moments that never happen, matter the most. |
Тип медиа | Телевидение и кино |
Длина |
7. Rimowa Electronic Tag / Rimowa Electronic Tag
Заголовок | Rimowa Electronic Tag |
Агентство | Philipp und Keuntje GmbH |
Кампания | Rimowa Electronic Tag |
Рекламодатель | Rimowa |
Бренд | Rimowa Electronic Tag |
Posted | Май 2018 |
Бизнес сектор | Чемоданы и саквояжи |
Тип медиа | Мобильная реклама |
Длина |
8. Shiseido / The Party Bus
Заголовок | The Party Bus |
Агентство | Shiseido Creative Division |
Кампания | The Party Bus |
Рекламодатель | Shiseido |
Бренд | Shiseido |
Дата первой трансляции/Публикации | 2018 / 10 |
Бизнес сектор | Декоративная косметика |
Слоган | Make Up your own story |
История | A costume party is in full flow on a bus rolling through the night. A girl disguised as Princess Kaguya is torn between her jealous boyfriend and a mysterious suitor. Finally she makes a decision, and jumps off the bus to join her new lover. Containing elements of drama, animation and dance, the extraordinary fairy tale is an ode to the power of make-up. |
Тип медиа | Веб-фильм |
Длина | |
Рынок | Japan |
Директор | Show Yanagisawa |
Креативный директор | Masoto Kosakawa |
Продакшн Студия | Towerfilm |
Послепроизводственный этап | Digital Eggs |
Послепроизводственный этап | My Working |
9. Forbes / Ricky Brasil
Заголовок | Ricky Brasil |
Агентство | . |
Кампания | Ricky Brasil |
Рекламодатель | Forbes Brazil Magazine |
Бренд | Forbes |
Дата первой трансляции/Публикации | 2018 / 4 |
Бизнес сектор | СМИ, издательство и производство |
История | Corruption in Brazil is a multi-billion-dollar business. Although the accurate amount siphoned off public coffers escapes any assessment, officers with the ‘Operaçao Lava Jato’ (Operation Car Wash) officially estimate that resources lost to local bribery schemes amount to roughly US$ 61 billion a year. If the sum ended up in the hands of a single individual, she would hold the eighth largest fortune in the world, according to Forbes World’s Billionaires List 2018. But what would the identity of this Brazilian “billionaire” be? His bodily features? His opinions, consumer habits? Which market segment would be operate in? What would he think about the graft probing operations? To raise public awareness around Brazil and join in the fight against corruption, magazine Forbes Brazil, ad agency Ogilvy Brazil, and technology companies Nexo and Notan have employed artificial intelligence to attempt to vividly depict the ‘face’ of Brazilian corruption. Along with the face itself and its features, our machine-learning device took the experiment one step further and pointed out personality traits associated with this person, called Mr. Ricky Brasil – a reference to Brazil’s billion-dollar corruption. The project leading to Mr. Ricky Brasil began over ten months ago, with extensive research into the interviews and official depositions of some of the main convicts during operations Mensalão and Car Wash. With this content – local media reports, statements, interviews, books – being fed into the system, artificial intelligence could cross-check information and finally produce what is believed to be the closest portrayal of Mr. Ricky Brasil. The project is under curatorship of a journalist and a specialised writer. |
философия | Corruption in Brazil is a multi-billion-dollar business. Although the accurate amount siphoned off public coffers escapes any assessment, officers with the ‘Operaçao Lava Jato’ (Operation Car Wash) officially estimate that resources lost to local bribery schemes amount to roughly US$ 61 billion a year. If the sum ended up in the hands of a single individual, she would hold the eighth largest fortune in the world, according to Forbes World’s Billionaires List 2018. But what would the identity of this Brazilian “billionaire” be? His bodily features? His opinions, consumer habits? Which market segment would be operate in? What would he think about the graft probing operations? To raise public awareness around Brazil and join in the fight against corruption, magazine Forbes Brazil, ad agency Ogilvy Brazil, and technology companies Nexo and Notan have employed artificial intelligence to attempt to vividly depict the ‘face’ of Brazilian corruption. Along with the face itself and its features, our machine-learning device took the experiment one step further and pointed out personality traits associated with this person, called Mr. Ricky Brasil – a reference to Brazil’s billion-dollar corruption. The project leading to Mr. Ricky Brasil began over ten months ago, with extensive research into the interviews and official depositions of some of the main convicts during operations Mensalão and Car Wash. With this content – local media reports, statements, interviews, books – being fed into the system, artificial intelligence could cross-check information and finally produce what is believed to be the closest portrayal of Mr. Ricky Brasil. The project is under curatorship of a journalist and a specialised writer. |
Тип медиа | Digital |
Длина | |
Главный креативный директор | Claudio Lima |
Исполнительный креативный директор | felix del valle |
Креативный директор | Eduardo Doss |
Креативный директор | Guiga Giacomo |
Арт-директор | Paulo Engler |
Копирайтер | Mariana Albuquerque |
Планировщик счета | Daniel de Tomazo |
Менеджер проекта | Priscilla Saikai |
Продюсер Продакшн Студии | Patricia Silveira |
Медиа директор | Paulo Ferreira |
Редактор | Deydson Rocha |
Менеджер по рекламе | Antonio Camarotti |
Продакшн Студия | Trator |
Директор | Vinicius Colé |
Фото / Иллюстрации | Vinicius Colé |
Продюсер Продакшн Студии | Eduardo Saraiva |
Производство аудиофонограмм | Evil Twin |
3D-графика | Alan Prado |
Композитор | Igor Sacilotto |
10. BMW / Transformation of a Landmark
Заголовок | Transformation of a Landmark |
Агентство | Jung von Matt / Spree |
Кампания | 100.000 electric cars sold in 2017 |
Рекламодатель | BMW |
Бренд | BMW |
Posted | Май 2018 |
Бизнес сектор | Легковые автомобили |
История | Monday evening, December 18th, BMW’s iconic Four Cylinder Building underwent a spectacular transformation to mark the 100,000th electrified BMW sold in 2017 and the brand’s unwavering commitment to an electric future. Designed by Austrian architect Karl Schwanzer, the BMW Headquarters was finished in 1972, in time for the Munich Summer Olympics. The 331 feet tall building is one of the most important German landmarks, mimicking the shape of the four cylinders in a typical car engine. Notably, the cylinders do not stand on the ground; they are suspended on a central support tower. The light projection turning the old cylinders into iconic electric batteries underscores a new landmark for the Munich-based German automotive manufacturer BMW, which launched the all-electric i3 in 2013. The epic projection involved 9 OPSL laser projectors, 10 additional projectors, 100 LED lights and 480 intelligent moving lights. 84 kilometers of cables were used for data and lighting and 820 cubic meters of materials. Next in the pipeline, BMW plans to offer 25 electrified models by 2025, 12 of which will be fully electric. Some of the cars will have a range of up to 435 miles. |
Тип медиа | Анализ ситуации |
Длина | |
Музыка | 2WEI Music |
Исполнительный креативный директор | Till Eckel |
Исполнительный креативный директор | Joachim Kortlepel |
Директор | Tobias Paul |
Фотограф | Ralph Larmann |
Директор | Simon and Paul |
Креативный директор | Christian Wölky |
Креативный директор | Mihai Gongu |
Креативный директор | Stefan Amtmann |
Копирайтер | Simon Knittel |
Копирайтер | Lena Charbonnier |
Арт-директор | Elena Knittelfelder |
Арт-директор | Sebastian Hölzer |
Арт-директор | Dustin Przibilla |
Арт-директор | Christian Dallmeier |
Консультант | Jan Anderßen |
Консультант | Niels Böse |
Консультант | Stephan Süß |
Консультант | Julian Pankratz |
11. Volvo XC60 / Live Reviews
Заголовок | Live Reviews |
Агентство | Grey Brasil |
Кампания | Volvo live reviews |
Рекламодатель | Volvo |
Бренд | Volvo XC60 |
Дата первой трансляции/Публикации | 2017 / 10 |
Бизнес сектор | Легковые автомобили |
Тип медиа | Digital |
Длина |
Заголовок | Care by Volvo mobile app |
Агентство | Grey New York |
Кампания | Care by Volvo mobile app |
Рекламодатель | Volvo |
Бренд | Volvo |
Posted | Июнь 2018 |
Бизнес сектор | Автотранспорт |
Тип медиа | Digital |
Длина |
13. Mercedes-Benz / Return to Chapman's Peak
Заголовок | Return to Chapman's Peak |
Агентство | Net#work BBDO |
Кампания | Return to Chapman's Peak |
Рекламодатель | Daimler AG |
Бренд | Mercedes-Benz |
Дата первой трансляции/Публикации | 2018 / 5 |
Бизнес сектор | Легковые автомобили |
История | Legendary South African crash survivor revisits site of 30 story plunge in autonomous S-Class. |
Тип медиа | Веб-фильм |
Длина | |
Арт-директор | Steven Tyler |
Продюсер агентства | Lee-Ann Jacobs |
Анимация / 3D | Ryan Paikin |
Менеджер по рекламе | Selvin Govender |
Главный креативный директор | Mike Schalit |
Кинематография | Lorens Van Rensburg |
Креативный директор | Tim Beckerling |
Директор | Lourens Van Rensburg |
Редактор | James O'Sullivan |
Исполнительный креативный директор | Brad Reilly |
Продакшн Студия | 7Flims |
Музыка | Audio Militia |
Послепроизводственный этап | Ludus |
Продюсер Продакшн Студии | Nina van Rensburg |
14. Mercedes-Benz / The Amber Cube
Заголовок | The Amber Cube |
Агентство | antoni GmbH |
Кампания | The Amber Cube |
Рекламодатель | Daimler AG |
Бренд | Mercedes-Benz |
Posted | Июнь 2018 |
Продукт | G-Class |
Бизнес сектор | Легковые автомобили |
Тип медиа | Телевидение и кино |
Длина |
Заголовок | Lazy |
Агентство | Publicis Italy |
Кампания | Go With The Flaw |
Рекламодатель | Diesel |
Бренд | Diesel |
Дата первой трансляции/Публикации | 2018 / 7 |
Бизнес сектор | Одежда, мода и обувь |
Тип медиа | Печать |
Класс | MPC LDN |
Звуковой дизайн компании | Grand Central Recording Studios |
Global Chief Creative Officer | Bruno Bertelli |
Главный исполнительный директор (CEO) | Bruno Bertelli |
Оператор-постановщик | Simon Chaudoir |
Продюсер | Jules de Chateleux |
Творческий руководитель | Costanza Rossi |
Креативный директор цифрового формата | Mihnea Gheorghiu |
Редактор | Nicolas Larrouquere |
Продюсер агентства | Cecilia Barberis |
Специалист по работе с заказчиками | Giada Salerno |
Копирайтер | Fabio Caputi |
Специалист по работе с заказчиками | Maria Elena Gaglianese |
Директор | François Rousselet |
Колорист | Richard Fearon |
Креативный директор цифрового формата | Milos Obradovic |
Костюмы / Стилист | Davey Sutton |
Арт-директор | Simone Di Laus |
Исполнительный креативный директор | Cristiana Boccassini |
Associate Copywriter | Beatrice Mari |
Планировщик счета | Noa Dekel |
Продюсер агентства | Matilde Bonanni |
Начальник планирования | Bela Zieman |
Арт-директор | Cecilia Moro |
Закупщик художественного оформления | Barbara Centazzo |
Продакшн Студия | Division Paris |
Послепроизводственный этап | Studio Invisible |