Заголовок | Seeing Red |
Агентство | adam&eveDDB |
Кампания | Seeing Red |
Рекламодатель | Hey Girls |
Бренд | Hey Girls |
Дата первой трансляции/Публикации | 2021 / 5 |
Бизнес сектор | Благотворительные организации, фонды, волонтеры |
философия | A psychological study is at the heart of a new campaign by Hey Girls, the social enterprise founded by Celia Hodson to tackle period poverty. The idea, created by adam&eveDDB, revolves around a film called ‘Seeing Red’ which has been carefully crafted to evoke anger that motivates positive action. The proposed dictionary definition of period poverty*, as shown in the film, is a lack of safe access to period products due to financial or social constraints. Period poverty affects 1 in 10 in the UK and surged in 2020 during the COVID pandemic. In fact, a survey by the charity Plan International UK showed that as many as one third of 14 to 21s in the UK struggled to access or afford period products during lockdown. The ‘Seeing Red’ film, produced by Prettybird and directed by Margot Bowman, depicts the anguish of a girl caught unprepared at school when her period starts, brought arrestingly – and graphically – to life. In it, an array of techniques are used to evoke anger – all informed by psychological insight by Dr Philip Gable, Associate Professor of Psychological and Brain Sciences at the University of Delaware. Conceived by adam&eveDDB, the idea came from the insight that despite its negative connotations, anger is one of the most motivating human emotions. The aim was to harness anger to encourage positive action – in this case, to remove the injustice of period poverty. Psychological insights were used throughout the film’s development and production. From its narrative arc and character depictions, to the soundtrack, pace and use of colour, a range of elements were specifically devised to evoke anger and motivate action. Variations of the film were tested before release. The results were then used to optimise the final edit to maximise the motivating form of anger and action that was intended. On average, watching the film made participants feel over 3 times angrier, results showed. Further, the more intense they found the film and the angrier they were, the stronger their desire to take action and buy Hey Girls products. Dr Gable was closely involved at every step throughout the initiative’s evolution to ensure that the audience’s anger was evoked and then harnessed in an ethical and responsible way. Hey Girls’ aim for the campaign is twofold: to get everyone in 2021 ‘Seeing Red’, heightening awareness of UK period poverty; and to encourage action to combat period poverty by buying Hey Girls period products. With its buy-one-give-one structure Hey Girls gives away a comparable product to those in need for each one of its products bought. This is reflected in the call to action at the end of the film: ‘End Period Poverty. You buy one. We give one’. The film ‘Seeing Red’ launches online on May 5th. Its soundtrack, ‘Grovelling Warts’, was composed by Esther Joy Lane and will be released as a single on the same day. In partnership with the7stars, media includes digital, social, print and other channels to come over the coming weeks, all touchpoints specifically designed to either elicit the same form of motivating anger, or to direct to the film to do the same. The print, which will launch subsequently, features anonymous, real quotes about negative reactions to period poverty to elicit anger. The call to action is the same. A specifically designed campaign page on Hey Girls’ website will house the film, information about period products and crucially, the opportunity to purchase or donate. The campaign is supported by W Communications, which is managing consumer PR and has engaged influencers to share the film so that we can make sure the issue is seen and felt by as many people as possible. Ultimately, everyone is encouraged to share the film with the hashtag #SeeingRed and to themselves help end period poverty by making the switch to Hey Girls products, or for those that do not need period products themselves, donating via their website. |
Тип медиа | Digital |
Длина | |
Медиа-агентство | the7stars |
Аудио послепроизводственный этап | Factory Studios |
Founder & CEO | Celia Hodson |
Менеджер по рекламе | Kirsten Blackburn |
Менеджер по рекламе | Amy Briggs |
Менеджер по рекламе | Rechenda Smith |
Главный креативный директор | Richard Brim |
Global Creative Director | Laura Rogers |
Копирайтер | Miles Carter |
Арт-директор | Helen Balls |
Креативная команда | Christian Sewell |
Креативная команда | Andy McAnaey |
Продюсер агентства | Mary Fostiropoulos |
Продюсер агентства | Nicola Applegate |
Директор по стратегии | Martin Beverley |
Начальник планирования | Milla McPhee |
Planner | Beth Mackenzie |
Senior Project Manager | Hanna Dowty |
Social Director | Rebecca Wilson |
Joint CEO | Tammy Einav |
Joint CEO | Mat Goff |
Управляющий партнер | Charlotte Cook |
Директор рабочей группы клиента | Kathryn Gooding |
Специалист по работе с заказчиками | Olivia Rose |
Legal Team | Annika Patel |
Legal Team | Freya Vale |
Legal Team | Tom Campbell |
Дизайнер | Mauricio Brandt |
Дизайнер | Adrian Baker |
Social Motion Graphics Editor | Gabi Mascarenhas |
Social Post Producer | Gerda Aleksandraviciute |
Social Post Producer | Jamie Demetriadi |
Редактор | Robert Spary-Smith |
Продюсер пост-производства | Olivia Hards |
Design Studio | King Henry Studio |
Управляющий партнер | Liam Mullins |
Client Lead | Lydia Mulkeen |
Head of Insight | Helen Rose |
Директор рабочей группы клиента | Suzanne Morgan |
Директор цифрового формата | Charlotte Powers |
Digital Executive | Isabella Zonfrillo |
Trading Director | Michelle Sarpong |
Продакшн Студия | Prettybird |
Founder Executive Producer | Juliette Larthe |
Head of Business Affairs | Mia Powell |
Директор | Margot Bowman |
Продюсер | Paulette Caletti |
Управляющий производством | Benji Landman |
Still photographer | Daniel Boulton |
Редакционная компания | Work Editorial |
Послепроизводственный этап | Untold Studios |
Аудио послепроизводственный этап | Anthony Moore |
Аудио послепроизводственный этап | Mark Hills |
PR-агентство | W Communications |
PR Creative Director | Scott Dimbleby |
PR Strategy Director | Vijaya Virally |
PR Associate Director | Nikki Collins |
PR Senior Account Director | Jessica O’Donohoe |
PR Senior Account Manager | Sam Beer |
PR Account Manager | Rachel Jones |